Albums of 2014

Here’s my favourite albums of 2014, following on from yesterday’s Songs Of 2014. Let’s get on with it, shall we?


Album By Grumpy Scots That I Haven’t Quite Listened To Enough Yet (Redux)

The Twilight Sad – Nobody Wants To Be Here And Nobody Wants To Leave

After a somewhat disappointing third album, and severe financial difficulties making the band seriously consider packing it in, NWTBHANWTL had to be good. It’s more than good. Their most coherent album, featuring slow songs and everything, it rightly gave them more of the limelight than previous records, and has even gone on to win some Album of The Year awards. I would have done too, except, honestly, I haven’t listened to it enough. Whether it’ll bring some more money in remains to be seen; if they can break America in the same way as Frightened Rabbit (who have 10x the YouTube views for their videos) and get some of the daytime play Chvrches get, they’ll be made. I certainly hope so. There’s no band out there who deserve a bit of success more than this lot.

Buy “Nobody Wants To Be Here & Nobody Wants To Leave” Here


Album By Slightly Less Grumpy Scots

King Creosote – From Scotland With Love

This was my soundtrack in the runup to the Scottish Referendum, listened to before it had the opportunity to be reclassified as World Music. Boom tish. I’m here all week. Try the ribs.

In seriousness though, this was a lovely, warmhearted paean to Scotland, created for a documentary made from archive footage. As ever with KC, you’re coccooned in his soft voice, beautiful instrumentation, and hardly a chorus or middle eight to ruffle the feathers.

Buy “From Scotland With Love” Here

Album by A Band That Had Hit The Wall

Wye Oak – Shriek

Where to go for Wye Oak, who’d taken the guitar+drums formula about as far as they could? Keyboards+bass, of course. Normally this can spell a bit of a disaster, but with Jenn Wasner’s ambition, focus, and freakishly good bass playing, they made a record that almost stood up to “Civilian”.

Buy “Shriek” Here

Guiltless Pleasure Album

The Vaselines – V For Vaselines

Sheesh, another Scottish album, though I thought this lot were from Noo Joisey or Ohio or somewhere similar, holed up in a garage, rather better appointed now that they had nice jobs in selling insurance or something. They’ve been around for years, apparently, and this was a comeback album of sorts. Still filled with vim and vigour and pop nous. An excellent album to play when you don’t want to think too hard.

Buy “V For Vaselines” Here

Post-Rock Album Of The Year

Jakob – Sines

A comeback album from a New Zealand band whose three members had all had major hand injuries in the last three years. I must say I know nothing about them other than the fact that they are from New Zealand and they have all had major hand injuries. And that this is a comeback album. Errr….maybe I should try doing some research. More on the Russian Circles side of the post-rock continuum, it doesn’t break any new ground. Great album though.

Buy “Sines” Here


The Album Of The Year

Spoon – They Want My Soul

How does a band keep going after x albums and y years? You can change your sound (see Wye Oak, above), or just refine and tighten until every song on the new record is a glistening jewel. God only knows how many times I’ve played this record this year. It’s been my go-to album on the commute, in the office, and at home. I’ve had to stop playing it as I feared I’d wear out the memory on my iPhone.

Buy “They Want My Soul” Here

So, there we go for another year. Hope you have a fantastic 2015, and please visit the site from time to time to see if I’ve managed to drag my sorry ass to the computer to actually post anything. Unlikely, but you never know. Thanks for reading.

Let’s Go Lose Track Of Time

What’s the sign of a good – scratch that – goddamn great album?

Awards?

Sales?

Nah. It’s when a mention of it somewhere; a magazine, a blog post, a billboard, makes the title track come barrelling into your mind like an over-friendly Great Dane1, knocking you over, licking your face and wanting a quite unreasonable amount of attention. Possibly a touch of frottage. Got that today, I did, with Spoon’s They Want My Soul.

This, my friends, is what a great album sounds like. It’s gonna have some competition come the End Of Year lists, but my betting is firmly on it topping quite a few. Especially for the guitar solo, and the line “Educated folk singers want my soul” in They Want My Soul:

Immense.

Buy it here.

1 Not Nicklas Bendtner, clearly.

Review Of The Year – Albums, One

2010, for me, hasn’t been a vintage year. No Yellow House, no Funeral, no You Forgot It In People, no Boxer. Some good albums, sure, but there was little that really grabbed me by the balls and forced me to listen. Here’s the first part of a three-part review of the year, with the first two featuring albums, and the last songs, gigs, and other stuff. You can sense this feeling in all those end-of-year lists that have been hosing around the web since the end of November (and, to whit, surely you should do your end of year list at the actual end of the year? No? Oh, just me, then). How many of them have actually agreed with each other on anything? Yes, you could argue that the lack of agreement between anyone this year shows a healthy and diverse musical scene, but you’d be wrong1. It just shows that no-one’s stepped up to the plate and made anything as thrilling, unusual, or just plain damn good as any of those records above.

Out of all the records released this year, there’s been a load of records released by bands who have good form. Records that you’d expect to light up the year. But didn’t. Which leads me onto….

The Year Of Disappointing Records By Bands Who Should Know Better

A whole bunch of records came out this year by some of my favourite bands. From the likes of The Hold Steady and Band of Horses, through to Arcade Fire and Sufjan Stevens, 2010 had the chance to be a bumper year. But for some reason they all turned out to be some shade of disappointing, ranging from “could do better B-“ for Arcade Fire to “See me after D-“ for Band Of Horses. The latter compounded a poor album with the kind of heavy handed blog bullying you’d expect from Metallica or some other horrendously uncool breadheads. The Hold Steady didn’t recover from the loss of Franz Nicolay, and their bread-and-butter-rock’n’roll-with-clever-lyrics just disappointed. Broken Social Scene returned after a pair of disappointing “BSS Presents…” albums with a proper BSS album that was also disappointing. Sufjan Stevens came back with his take on Kid A – and I think about the same of it as I do Kid A. Overall, there’s lots of disappointment round here this year.

The Almost There List (or “Runners-Up”, as more professional blogs may have called them)

For each of the bands who have been plain disappointing this year, there’s also been a bunch who have released new records that haven’t quite hit the heights of their previous records, but are still pretty good.

The National – High Violet

So near, and yet so far. “Boxer” was enthralling and essential. “High Violet” is sporadically fantastic (“Bloodbuzz Ohio” and “Vanderlyle Crybaby Geeks”), but never quite reaches the peaks of “Boxer”. It’s a very good album, but not quite as good as you, I, and possibly the band themselves, know they can do better.

MP3: Bloodbuzz Ohio by The National

Amazon’s The National Store

Frightened Rabbit – The Winter Of Mixed Drinks

So near, and yet so far. Etc. “Swim Until You Can’t See Land” burst in at the end of 2009 and nailed it as my favourite song of the year; I had high hopes for the album, especially after obsessing over the joyously glum Midnight Organ Fight. Nothing on it even comes close to matching “Swim”, sadly, so there’s a faint air of failure around this. Still good though, and well worth it if you’ve worn out your copy of Midnight Organ Fight.

MP3: Swim Until You Can’t See Land by Frightened Rabbit

Amazon’s Frightened Rabbit Store

Swans – My Father Will Guide Me Up A Rope To The Sky

Or “How to grow old disgracefully”. If only other bands could reunite and make themselves as vital, as thrilling, and as plain cantankerous as this. See, The Pixies? This is how it’s done.

MP3: Jim by Swans

Amazon’s Swans Store (yes, really)

Spoon – Transference

Still not sure about this lot, despite repeated listening to this undoubtedly good record a whole bunch of times. The problem with deliberately being all clinical and precise is that you can lose the human touch. Then again, the precision has a certain allure that hasn’t tarnished with time, yet.

MP3: Got Nuffin by Spoon

Amazon’s Spoon Store

Joanna Newsom – Have One On Me

Ten months on from its release, I’ve still hardly chipped into this record. Too bloody long. But that’s not to say that it doesn’t have its own sense of beauty, the coherent vision of someone who could safely be called a genius. In years to come, it may make more sense, or it might not, but I’d like to say it’s good now and be proved wrong, rather than the other way round.

MP3: Good Intentions Paving Company by Joanna Newsom

Amazon’s Joanna Newsom Store

That’s it for the disappointments and partial successes. Join me tomorrow for the albums that I properly liked. Not that I didn’t like these ones. Oh, you know what I mean.

1 So sue me